Monday, November 28, 1994
Los Angeles- "Star Trek Generations" is an unqualified hit. With more than $26 million
grossed on its opening weekend, the first movie to feature the cast of the "Star Trek:
The Next Generation" TV series enjoyed a stronger debut than any of the six previous
"Trek" films.
But there's another hit in "Generations" whose success is as qualified as it is
controversial. (Readers who want the end of the movie to remain secret should read no
further.)
William Shatner's Captain Kirk, star of the original "Star Trek" television series and
all of the earlier movies, is killed at the end of "Generations", the better to clear
the spaceways for the younger crew's future big-screen adventures.
Kirk's Undoing
But what is surprising -- and disappointing -- to a number of Trekkies, casual moviegoers
and newspaper readers is the manner in which the beloved Kirk is dispatched.
Rather than going boldly into that good night -- say, at the helm of an Enterprise or
sacrificing himself for his crew or the safety of the whole galaxy -- Kirk falls off a
metal bridge that then collapses on him.
"I would much rather have gone off with Mount St. Helens," Shatner quipped. "But, short
of a volcanic eruption, I'm not sure what else could have been done. However, I did save
250 million people, and Kirk's cutoff is 50 million. So I did outdo myself by a factor
of four."
An Ignominious Ending
But still, taking a dive while "Next Generation" Captain Jean-Luc Picard (Patrick
Stewart) looks on helplessly is not a whole lot more spectacular. And classic "Star
Trek" fans are, at the least, unimpressed. At the most, they're outraged.
"Kirk's my hero. They can't do this to him. But they did," lamented Joyce Mason, who
hosts the nationally syndicated, cable radio call-in show "Talk Trek." "I was so
disappointed with the death scene, for the first time at a 'Star Trek' movie, I left the
theater feeling empty.
"He was just buried on a mountain -- the hero of the century -- under a pile of rocks.
No ceremony, nothing. There was nothing to attach our feelings to, nothing to identify
with. I got the disdinct impression that the only thing (the film makers) were
interested in was continuing 'Next Gen' at the expense of classic 'Trek.'"
Unhappy Trekkies
Mason reports that her Friday night show, which is heard on cable TV channels that aren't
reserved for video transmission, has received thousands of calls from unhappy Trekkies
since March, when word of Kirk's death leaked out. The volume of negative comments has
increased markedly since the film opened commercially November 17, she said.
On the next evening's broadcast, of eight in-studio guests who were invited to critique
"Generations," only one did not find fault with the way Kirk was dispatched. Although
most callers to the November 18 show enjoyed other aspects of the movie, they were
overwhelmingly disappointed with Kirk's death.
The makers of "Generations" certainly did not intend to sow such deep dissatisfaction.
"Personally, I was a big fan of the original series," said Ronald D. Moore, 30, a
veteran producer of the three subsequent "Trek" television show -- "Next Generation,"
"Deep Space Nine" and the fourthcoming "Voyager." Moore co-wrote "Generations" script
with Brannon Braga and the film's producer, Rick Berman.
"I hope no one thinks that he goes out with a whimper rather than a bang," Moore continued.
"We did reshoot the sequence because the first version lacked energy and drive, but we
didn't change any of the story elements because we thought they worked pretty well. It
has what we intended the scene to have a quiet last couple of moments. We felt that
would have more impact and emotional resonance than if he went out in a big explosion."
Anitclimax
"I thought 'Generations' was really, really interesting up until the climax, where they
didn't seem to know what to do with Kirk other than have him in the movie and kill him,"
said James Van Else, recognized "Star Trek" authority and author of numerous books on the
subject.
by Bob Strauss, Los Angeles Daily News (reprinted in the San Francisco Chronicle)
Kirk's death does not come as much of a surprise. Copies of the script leaked out months
ago, and the matter has been debated ever since over computer networks, discussed at
length through the many channels of "Trek" fandom communciation and mentioned in numerous
magazines, including a current "Time" cover story and a special edition of "Entertainment
Weekly."
Indeed, Kirk's sacrifice does prevent Malcolm McDowell's mad scientist Soran from
destroying the sun of a populated solar system. And the final conflict is more physical
and personalized than the film's original, test audience-rejected climax, in which Kirk
was shot unceremoniously in the back.
"This has made my heart fall out of 'Trek', to the point where I don't know if I'll
continue my radio show."
Many Trekkies would have preferred an explosion.
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