Clouded, the box office’s future is
Attendance may be down for 3 months, but here come big-ticket items

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Lucas: “Star Wars” isn’t Iraq Wars

By Scott Bowles, USA Today, May 16, 2005

Jennifer Lopez and Will Ferrell did their best to get people into theaters this weekend, but they weren’t enough to stop the three-month box-office slump.

Now it’s up to George Lucas’ Star Wars, Episode III: Revenge of the Sith to jump-star summer.

For the 12th straight weekend, ticket sales lagged behind the same period last year, the industry’s longest slump since a 14-week drought in 1991, according to box-office estimates from Nielsen EDI.

The weekend’s poor performance leaves Hollywood about 6% behind last year’s pace and puts more pressure on Revenge of the Sith. The film opens in many markets at midnight Wednesday.

Last year, Shrek 2 opened to a stunning $108 million the weekend of May 19, meaning Sith will need a whopping debut – which early ticket sales indicate is likely – to keep the box office from lagging further behind. (Shrek 2 went on to make $436.5 million and was the biggest movie of last year.)

More important, analysts say, Star Wars will need to get audiences in the habit of going back to theaters and whet their appetites for upcoming big-event films such as Madagascar on May 24, Batman Begins on June 15 and War of the Worlds on June 29.

A few factors have been keeping audiences away. Ticket prices are rising, and more people are opting to see movies at home: DVD sales soared 33% in 2004 to $15.5 billion, according to the Digital Entertainment Group.

Still, there are hopeful signs. Ticket sales are about $200 million behind last year’s pace - $2.6 billion this year, bs. $2.8 billion at this time in 2004, and Sith is expected to make that much money easily.

Star Wars needs to give audiences an experience they aren’t going to get anywhere else,” says Gitesh Pandya of BoxOfficeGuru.com. “It’s not just the money it could make. It’s getting bodies into the theaters, letting them watch trailers, and have a good time. With video games, DVDs, cable, it doesn’t take much for people to get out of the habit of going to movies.”

This weekend, audiences turned out in respectable numbers for Lopez’s Monster-in-Law, which took in an estimated $24 million, her best debut, Ferrell’s soccer comedy Kicking & Screaming managed second place and $20.9 million.

Jet Li’s Unleashed was a surprise No. 3 with $10.6 million, beating Kingdom of Heaven, which fell a sizable 51% from its debut for $9.6 million. Final figure are due today.

Overall, weekend ticket sales totaled only $92 million, continuing a slump that is the third worst since EDI began keeping track in 1983.

Studio executives aren’t ready to panic just yet.

“Once a movie connects with audiences, it builds momentum,” says Chuck Viane, distribution chief for Disney, which releases Herbie: Fully Loaded on June 22. “If you look at the slate this summer, it’s not going to be that hard to make up the difference if these big pictures just reach their potential.”

Rick McCallum, producer of the new Star Wars trilogy, thinks that Hollywood may have dug its own hole by over-hyping movies that haven’t delivered.

“They’ve learned how to market and advertise movies so they can make $100 million,” he says. “But audiences are getting wise to that. The only way you’re going to be profitable is by improving the product and making good films.”


Lucas: “Star Wars” isn’t Iraq Wars

Democracy unraveling is an old story

By Harlan Jacobson, Special for USA Today, May 16, 2005

CANNES – Right away, George Lucas was asked about George Bush.

What is the political context of the director’s Star Wars, Episode III: Revenge of the Sith, which premiered at the Cannes Film Festival Sunday?

Since screening began last month at Lucas’ Skywalker Ranch, people have been discussing parallels between the final film in Lucas’ six-film Star Wars saga and current political events.

Meeting the press, Lucas said any similarities were purely historical.

“This was written during the Vietnam War and Nixon era, when the issue was how a democracy turns itself over to a dictator – not how a dictator takes over a democracy,” he said.

Sith opens in the USA at midnight Wednesday (***1/2 review, 1D [of Life in USA Today]). Critics have applied the politics of the saga to presidential administrations from Ronald Reagan to George W. Bush.

Lucas said that a long time ago in a galaxy far, far away, he had read some history and wondered why, after going to the trouble of killing Caesar, the Roman Senate turned things over to his equally power-hungry nephew, Augustus Caesar? Or that after a revolution, France turned next to Napoleon, a dictator?

That’s what fueled the entire Star Wars saga, Lucas said. “It seems to happen the same way every time: There are threats, and a democratic body, the Senate, is not able to function properly.”

Pushed further on the current Internet chat about the war in Sith being akin to the current Iraqi war, Lucas said, “When I wrote this, Iraq didn’t exist. We were just funding Saddam Hussein and giving him weapons of mass destruction.”

But, he added, “the parallels between Vietnam and what we’re doing in Iraq now are unbelievable.”

Lucas said Darth Vader’s saga is about how a good man turns himself into a bad one.

“Most of them think they’re good people doing what they do for a good reason.”

Lucas and his film got a glamorous launch party aboard the Queen Mary 2. Natalie Portman, who plays Senator Padme Amidala in Sith, sported an attention-grabbing new look, hair shorn for a prison episode in her upcoming movie V for Vendetta.

Lucas showed the modesty of a Jedi knight when asked how he felt about stealing the limelight from filmmakers competing at Cannes. “I’m happy I don’t have to compete, because I probably wouldn’t win. Just being here is an honor.”

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